Jewelry is mainly conveyed to us as something extraordinary—something that is bought for celebrations, important events, or personal moments of remembrance. Changes in its role, however, take place very slowly and almost unnoticed. For most of the people, jewelry comes gradually from the role of mere decoration to that of being a functional item in a very mild way. It is no longer chosen to match a dress or to show off to someone. Instead, it gets right away into the body's daily rhythm, worn without any thought and taken off only when it is really necessary.
Most of the daily jewelry is not chosen in the morning. The decision was made a long time ago. A ring that fits the finger perfectly, a chain that is of the right length so that it does not bother the skin or a pair of tiny earrings that eventually become unnoticed and never cause any irritation are all the choices made for a lifetime. These pieces are not loud and do not draw attention. Their value is equal to how little they interrupt the life of their owner. They silently accompany work, travel, chores, and rest, without asking anything and giving back the same in the form of consistency.
As the time goes on, the jewelry gets signs of usage. The sparkle reduces, and little scratches form while corners become rounded. However, these transformations are seldom a matter of concern. Actually, at times they are even unnoticed. The jewelry is no longer judged on the basis of how new it is but on how natural it is in daily life. The thought of getting a new one sounds pointless, sometimes even absurd, not due to emotional attachment but because the body is now so accustomed to it being there.
It frequently occurs that the same piece of jewelry is used by a person throughout different life phases. One item might have
The wearers of jewelry have been influenced greatly by their different lifestyles. The emphasis nowadays is more on the comfort side rather than the covering side. People have been selecting thinner, smoother, and hypoallergenic types of jewelry for all days and they have been constant in that choice. The less conspicuous and the easier-to-wear jewels are usually reserved for very special occasions while the practical ones are ruling everyday wear. This drastic shift has not only led to the modification of personal wardrobes but also to the change in the designers' perspective of jewels.
The change in the expression is also the same in the purchasing of jewelry. Online shopping for jewelry is enabling a customer to view the images very closely, to compare very quietly and to select according to their personal comfort rather than being influenced by trends or pressure. The whole thing is very private and it takes a lot of time, just as the place jewelry has in everyday life.
Furthermore, daily jewelry is not intended to be large. Its purpose is not to be seen but to last. It conforms to the user’s habits—as it were—blending with the user’s movements and daily routine. When jewelry reaches this stage, it is no longer just an accessory but has indeed become a part of the very natural flow of life.
When jewelry is consistently worn, it becomes hardly noticeable in the surrounding objects. It is considered an indispensable part of the person now. The hand movements, the neck rotations, the day continues—and the jewelry is there, concealed yet alive. Its role is not to reveal the beautiful in an apparent manner but to grant the intimacy. In the absence of this kind of jewelry, one feels the lack of it as a weird sensation—like the lack of something real—because is not emotionally heavy, just like in the case of a watch or glasses.
This kind of decoration is just there, and it persists. It is a whisper, not a shout. It does not ask for maintenance, time, or love. It merely adapts to each person’s pace, lifestyle, and habits. Gradually, it becomes part of the daily routine, taking turns with daily chores and moments of relaxation in a nature-like manner. In this scenario, jewelry is not about style or making a point anymore; it is about silent and constant coexistence.
